I met Henry James for the first time when I watched "portrait of a lady", and I must confess that I didn't appreciate the film, this led me to avoid the book, and in my literature studies he was never mentioned directly, I mean, studying Joyce I found referrment to James' work, but the interesting thing is that he has no chapter dedicated in the Norton Anthology (my literary bible).
Now I'm dealing with him because of my final dissertation and I'm starting to believe that he deserve something more...
I'm reading his novella "The turn of the screw", rather, I've already read it and I'm now analizing its content and the way it s organized, That's why I'm not referring to it as a ghost story, because first and foremost I'm aware it is not. We cannot define it in a specific genre, because the author himself wants us to be confused about it. The "ghost story is full of hints of a paranoia of the narrator, the young governess who went and lived in Bly. The reader is led to doubt on what she describes, and in tragic scene at the end of the story is no longer sure of what has happened.
The story has caught the attention of many artists and critics since when it was written and in 1954, when the Biennale commissioned him a new work, Benjamin Britten chose this very story, and "The Turn of the Screw" became an opera. The particular ambiguity of this story created several problems to the composer and the librettist, Myfanwy Piper, but the thing on which I'll focus my attention will be the interpretation of Britten who found himself to choose between Innocence and Experience, and this time chose Experience.
Stay tuned for next steps...
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